-40%

LOT of 3, Douglas, Zeta-Jones stills TRAFFIC (2000) Christensen Cheadle Del Toro

$ 4.41

Availability: 100 in stock
  • Item must be returned within: 30 Days
  • Original/Reproduction: Original
  • Country/Region of Manufacture: United States
  • All returns accepted: Returns Accepted
  • Object Type: Photograph
  • Condition: These quality vintage and original release stills are in MINT condition (old yes, but flawless - perfect). I doubt there are better condition stills on this title anywhere! Finally, they are not digital or repros. They came from the studio to the theater during the year of release and then went into storage where the collector I bought them from kept them for many years!
  • Return shipping will be paid by: Buyer
  • Refund will be given as: Money Back
  • Industry: Movies
  • Restocking Fee: No

    Description

    (They ALL look MUCH better than these pictures above. The circle with the words, “scanned for eBay, Larry41” does not appear on the actual photograph. I just placed them on this listing to protect this high quality image from being bootlegged.)
    LOT of 3, Michael Douglas, Catherine Zeta-Jones stills TRAFFIC (2000) Erika Christensen, Don Cheadle, Benicio Del Toro, Luis Guzman, Dennis Quaid, Steven Bauer, Benjamin Bratt, James Brolin, Miguel Ferrer, TOPHER GRACE, AMY IRVING, Steven Soderbergh scarce studio vintage originals – GET SIGNED!
    This lot of 8” x 10” photos will sell as a group. The first picture is just of the group, please open and look at each still in this lot to measure the high value of all of them together. They would look great framed on display in your home theater or to add to your portfolio or scrapbook! Some dealers by my lots to break up and sell separately at classic film conventions at much higher prices than my low minimum. A worthy investment for gift giving too!
    PLEASE BE PATIENT WHILE ALL PICTURES LOAD
    After checking out this item please look at my other unique silent motion picture memorabilia and Hollywood film collectibles! WIN MULITPULE AUCTONS AND SAVE ON SHIPPING COST AND SAVE $
    See a gallery of pictures of my other auctions
    HERE!
    These photographs are original photo chemical created pictures (vintage, from original Hollywood studio release) and not a copies or reproductions.
    DESCRIPTION:
    Described by director Steven Soderbergh as "Nashville meets The French Connection," this multi-character drama explores the effects of international drug trafficking on all fronts: from their source, to the U.S. border, to the federal government, to the private lives of users. Based upon a miniseries originally aired on Britain's Channel 4, Traffic divides its time among three main storylines and almost a dozen locales. The first and primary plot thread, set in Ohio and Washington, D.C., concerns freshly-appointed drug czar Robert Wakefield (Michael Douglas), whose enthusiasm for his new prestige position is quickly offset when he realizes his 16-year-old daughter Caroline (Erika Christensen) is graduating from recreational drug use to habitual abuse -- a secret that his wife, Barbara (Amy Irving), has kept from him. South of the border, Mexican cop Javier Rodriguez (Benicio Del Toro) attempts to wage his own war on drugs, heading off a cocaine shipment in the middle of the desert with his less-than-virtuous partner Manolo Sanchez (Jacob Vargas). Surrounded by corruption, Javier approaches the drug war with an attitude of patience and compromise, which opens him up to investigation from General Arturo Salazar (Tomas Milian), the country's dubious drug-enforcement liaison to the U.S. Meanwhile, San Diego drug kingpin Carlos Alaya (Steven Bauer) is caught in a sting operation spearheaded by DEA agents Montel Gordon (Don Cheadle) and Ray Castro (Luis Guzman), leaving behind his very pregnant and very oblivious wife, Helena (Catharine Zeta-Jones). At the behest of Carlos' lawyer and shady confidante, Arnie Metzger (Dennis Quaid), Helena decides to carry on the family business -- with tragic consequences. Adapted by Rules of Engagement scribe Stephen Gaghan, Traffic marked Soderbergh's second major release in 2000 after the critical and box-office success of Erin Brockovich, as well as his second feature as cinematographer (credited under the pseudonym Peter Andrews). A favorite with various guild and critics' awards, Traffic won four Academy Awards in 2001, including statues for Best Supporting Actor (Del Toro) and Best Adapted Screenplay (Gaghan), and surprise wins for Steven Mirrone's editing and Soderbergh's direction.
    CONDITION:
    These quality vintage and original release stills are in MINT condition (old yes, but flawless - perfect). I doubt there are better condition stills on this title anywhere! Finally, they are not digital or repros. They came from the studio to the theater during the year of release and then went into storage where the collector I bought them from kept them for many years! They are worth each but since I have recently acquired two huge collections from life long movie buffs who collected for decades… I need to offer these choice items for sale on a first come, first service basis to the highest bidder.
    SHIPPING:
    Domestic shipping would be FIRST CLASS and well packed in plastic, with several layers of cardboard support/protection and delivery tracking. International shipping depends on the location, and the package would weigh close to a pound with even more extra ridge packing.
    PAYMENTS:
    Please pay PayPal! All of my items are unconditionally guaranteed. E-mail me with any questions you may have. This is Larry41, wishing you great movie memories and good luck…
    BACKGROUND:
    Steven Soderbergh's magnum opus on the drug war, Traffic offers yet another one of the director's efforts to take conventionally engrossing, Hollywood-formula material and imbue it with a sense of authenticity, unpredictability, and vitality, much as he did with his wildly successful Erin Brockovich earlier in the year. Some seams still show -- namely, the all-too-ironic script conceit that the country's new drug czar happens to have an addict for a daughter -- but by and large, Traffic is issue-oriented storytelling of the highest order. To call the film a tour de force would be misleading; it's an intimate epic, and Soderbergh seems determined to make all of the script's grand statements resonate on a personal level. To this end, he's helped by his stable of performers: Michael Douglas is appropriately stiff as the conservative Ohio judge who learns he's in over his head in his new position; Catharine Zeta-Jones makes a believable transformation from naïve, pampered housewife to hard-edged schemer; Erika Christensen takes the aforementioned addict-daughter character and makes it her own, suggesting that habitual abuse can arise from the most banal of circumstances; and Don Cheadle and Luis Guzman provide subtle shadings to what could have been a standard buddy-cop routine. Best of all is Benicio Del Toro, whose cunning, straight-arrow cop, Javier Rodriguez, provides the film's heart and soul. Soderbergh's cinematography (credited under the pseudonym Peter Andrews) complements the performers, eschewing establishing shots, grandiose camerawork, and traditional Hollywood framing in favor of simple shifts in color and film stock to indicate place, mood, and time. Steven Mirrone's editing also flatters the audience's ability to make connections on their own, halting scenes as soon as a point has been made, and allowing others to linger onscreen to create palpable atmosphere. Instead of favoring the loud, overbearing rhythms which accompany most hot-button "issue films," Soderbergh quietly and consistently tightens his vice grip on the audience, allowing a breather only in the film's semi-hopeful dénouement. Though it may provide all of the pleasures of conventionally grand melodrama, Traffic feels unlike any epic that has come before it.
    Michael Douglas, Don Cheadle, Benicio Del Toro, Luis Guzman, Dennis Quaid, Catherine Zeta-Jones, Steven Bauer, Benjamin Bratt, James Brolin, Erika Christensen, Miguel Ferrer, TOPHER GRACE, AMY IRVING, Steven Soderbergh